In 2006, I discovered an extraordinary archive in Paphos, Cyprus: a collection of deteriorated glass negative plates created by the city's first photographer, Spyros Haritou 1901-1991. These plates, capturing moments from the early 20th century, had languished in obscurity, their images fading due to time and environmental factors.
My artistic journey, influenced by my South African birth and Cypriot upbringing, led me to see beyond their decay. I recognized the potential to transform these damaged artifacts into contemporary digital, and mixed media physical art, giving them new life and relevance.
The process begins with scanning each glass negative, a moment filled with anticipation as hidden details emerge. I focus on compositions that resonate with modern aesthetics, viewing each scan as a canvas rather than a historical document. The natural deterioration—chemical erosion, humidity-induced patterns, and unintended fusions of images—serves as the foundation for my creations. These imperfections inspire me, leading to artworks where random connections and vanished portraits intertwine with the marks of time.
This approach has culminated in the "Metamorphosis Project," where I embrace the concept of turning remnants into art. I'm excited to announce my upcoming exhibition, "Whatever Remains, Turn it Into Art," scheduled for April 5, 2025, at Artos Art Space in Nicosia, Cyprus. This exhibition will showcase new works that continue to explore the transformation of abandoned materials into vibrant art pieces.
Through this project, I aim to celebrate the beauty found in decay and the endless possibilities of artistic reinterpretation. I invite you to join me in this exploration of art born from the remnants of the past.